Aisha's Stunning Back Piece

This incredible back piece belongs to Aisha, a former New Yorker who now resides in Florida.

I met her last month at the corner of 36th Street and Broadway in Manhattan.

The tattoo is an interpretation of the old adage, "See No Evil, Hear No Evil, Speak No Evil".

Inked over eleven years ago and representing about twenty hours of work, this huge piece was her second of eight tattoos.

She remembers only that the artist's name is Rodrigo, so it may have been Rodrigo Melo who currently owns and works at North Star Tattoo, but I am still working to confirm he was the tattooer behind this.

"I told him what I wanted," Aisha explained. "He just drew it on my back and I loved it and that was it."

The face is female, her eyes are closed and she has a mouth bit that represents her silence.

Despite the face's eyes being closed, she indicated that the "third eye" in the middle of the forehead is open. The third eye can be interpreted many ways, but often refers to looking inward and a greater consciousness.

Thanks to Aisha for sharing this amazing tattoo with us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Kathy's Back, The Beginning

I spotted Kathy walking in front of Madison Square Garden, near the corner of Seventh Avenue and 33rd Street earlier this month and, although I couldn't see specifically what she had going with her tattoos, I was intrigued enough to ask.

Some folks are often dismissive of me when I approach them, but Kathy was the total opposite. She was joyful and excited to share her ink and, when she removed her outer layer and adjusted her tank top, it was abundantly clear why. She had recently embarked on a full back piece and was proud of the foundation for what is ultimately going to be a phenomenal work of art:

Kathy had enlisted Derek Noble of Lucky Devil Tattoo Parlor in Seattle to create this tattoo. She explained, "he's really into horror, traditional, and all that kind of stuff, so I went to him back in January."

Kathy is an interior designer with twelve tattoos and agreed to share the back piece in its early stage (approximately three and a half hours in). She has tentatively agreed to keep us posted when she heads back to Seattle at the end of the summer so that we can see the work develop.

She explained further:

"I broke my back about two years ago, so I figured I'd make something nice out of a bad thing. There's little vertebrae holding candles and I love zombies ... I gave [Derek Noble] the time period, I said I wanted something Jack the Ripper era, and he went full out for it. I saw [the design] the day of, and I never even thought I wouldn't like it."

Well we here at Tattoosday can't wait to see how this turns out. With just the outlines, the piece looks incredible and, well, it's Derek Noble, after all, so we know it's going to turn out magnificently.

Thanks to Kathy for sharing the early stage of her new back piece with us here on Tattoosday! I know we can't wait to see more!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

NYC Tattoo Convention Spotlight: Jessica's Stunning Tibetan Back Piece

The last few years that I've attended the New York City Tattoo Convention, there's always been at least on person with a full back piece that captures my attention and, much to my enjoyment, agrees to share their work with us here at Tattoosday. The biggest and brightest tattoo this year for me, was this stunning work of art on Jessica:

This beautiful piece was inked by Echo at Now or Never Tattoos & Body Works in Staten Island, New York.

Jessica estimates that this piece took 11 hours to complete and added that there may, in the future, be more coming. "We have to fill it in the bottom and the top with a whole bunch of more flower work," she told me, but for the most part, this is complete.

When I asked what the origin of the piece was, she told me " I had a lotus flower on my lower back, so he [Echo] expanded it to a Tibetan princess."

As for the inspiration for the piece, Jessica explained, "I had a friend of mine pass away who was Tibetan, so that's kind of where the whole meaning came from."

As you would imagine, this piece was garnering a lot of attention from photographers and other convention attendees. I was thrilled to speak to Jessica about the tattoo and thank her profusely for taking the time to speak with me and share her Tibetan princess with us here on Tattoosday.

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

The Tattooed Poets Project: Daphne Lazarus

Today's tattoo takes my breath away.

The work comes to us from Daphne Lazarus, who does not have the extensive poetry credits that many of our other contributors have, but does write poems. She heard about the Tattooed Poets Project via Theresa Edwards (day 1 of this year's project), editor of Holly Rose Review, an online poetry/tattoo publication in which her work has appeared.

But let's just take a look at the photo Daphne sent, shall we?


The first thing I would recommend is to click on the photo to see it enlarged. Daphne did want me to acknowledge the photographer Irvin Tan at Monochrome Meese Photography. The amazing artist behind this phenomenal back piece is Shane Tan. Clicking his name will take you to the site where you can see several more photos of this work, as it was being created.

With a piece like this, as Daphne put it, the work "speaks for itself". Agreed, but I did seek clarification on the piece at the top on her neck:


This is a traditional Thai tattoo, sak yant, also known as yantra tattooing, which serves as an emblem of protection. The whole work took place over numerous sittings in a one and a half month time span. "Sometimes I had to work the next day," Daphne told me, "it was...a hell of an experience but it marked a milestone in my life. So worth it." Indeed. We are fortunate to have such amazing work displayed here on Tattoosday.

Daphne was born in Singapore. She received her BA (Hons) in Arts Management from LASALLE College of the Arts in Singapore in 2009. She has curated several contemporary art exhibitions featuring emerging Singaporean artists and an exhibition featuring art works of pioneer Singapore artists from a permanent collection of an art institution. Daphne writes for a tattoo website at www.horinaka.com in collaboration with tattoo artist Shane Tan. She was also one of the event organizers for Singapore’s first body suspension show in conjunction with the first tattoo convention in Singapore.

Daphne’s passion lies in writing about art and tattoo culture and has several articles featured in several contemporary art publications. She has also written a thesis on tattoos for her undergraduate study. She will be pursuing a Master’s in Art History at the School of Oriental and African Studies (SOAS) at the University of London.

Daphne is not a poet by profession, but she uses it as a tool for catharsis. She has published literary works mostly in contemporary art journals and aspires to be an art writer and art historian.

Check out one of her poems over on BillyBlog here.

Thanks again to Daphne for sharing her back piece with us here on Tattoosday!

The Tattooed Poets Project: Brendan Constantine

One of the more satisfying aspects of this year's Tattooed Poets Project has been completing posts for poets who first contacted me in 2009 during our inaugural year of the endeavor.

In Brendan Constantine's first e-mail to me, back in February 2009, he mentioned being "extensively tattooed," a fact that, over the last thirteen months, escaped me. Brendan and I have stayed in touch, and he was finally able to send me a photo last night of one of his tattoos. I was surprised to see this amazing back piece:

Photos by Shawn Burkley

Brendan explains how this work came into existence:

"In 1994 I went to an retrospective of legendary Japanese artist, Kawanabe Kyōsai, at the National Gallery in London. Known as the ‘Demon of Painting,’ Kyōsai was among the very first artists in his country to bring western techniques to bear upon traditional themes, a move which earned him much criticism. I was transfixed by his work and came home with a huge book of his prints. Artist, Kirby White, then with Yoni Tattoo in the San Fernando Valley, shared my enthusiasm for this unique painter and said, “I would kill to work in this style!”

Unfortunately, halfway through the process, Kirby began to experience chronic back pain which ultimately kept her from finishing the piece. Nevertheless, I asked that she sign it, something few if any people allow artist’s to do. I know the work is supposed to be its own signature, but I wanted the piece to bear Kirby’s mark the same as if it had been rendered on rice paper.

Photos by Shawn Burkley

About two years later I met artist Sung Song at Pure Tattoo in Los Angeles (he has since moved on, now at Unbreakable Tattoo in Studio City) and discovered he was also devoted to the work of Kyōsai . I showed him where Kirby left off and he enthusiastically finished the job, adding his own improvisations while respecting Kirby’s work. The piece now bears both their idiographic signatures as part of the design. I’m a happy gallery!"

Photos by Shawn Burkley

Thanks to Brendan for sharing this amazing work!

Please be sure to head over to BillyBlog to read one of his poems here.

Brendan Constantine is a poet based in Los Angeles. His work has appeared in numerous journals, notably Ploughshares, Ninth Letter,The Cortland Review & RUNES. His book, Letters To Guns, was released in 2009 from Red Hen Press. He is currently poet in residence at The Windward School and Loyola Marymount University Extension.

Tattoos from the Blogosphere: Introducing Mat’s Incredible Back Piece

With the exception of one photo sent by my Dad way back at the advent of Tattoosday, everything on this blog has resulted from an encounter in the streets of New York City.

However, we’re branching out, and I am actually going to feature tattoos I have never seen in person. A cyber-field trip, if you will, to the canvas of a fellow blogger, Mat Giordano, whose This Blog Right Here, is a favorite web destination of mine.

Mat and I occasionally chat, and his blog and BillyBlog occasionally link one another for various and sundry reasons. A month or so ago, I mentioned Tattoosday to him and he told me he was heavily inked, and proceeded to e-mail me his amazing back piece:

Needless to say, this is one of the more impressive pieces I have seen, and I was eager to post it but you know me, I love the back story (no pun intended). I e-mailed Mat some questions and he didn’t get back to me for a while. Finally, through instant messaging, he not only sent me new pictures of other tattoos (subject for a later post), but gave me the full rundown of this incredible tattoo.

Me: I need to know what [the elephant] was all about

Mat: Well, it's actually a simple one. I have a love for African black elephants: their patterning, symmetry, ear structure, [and] demeanor….and the platelets of jewelry and Tibetan skull crown symbolize a Tibetan tradition.

Me: Since you were a kid?

Mat: Yes, since I was a baby, I think. [The] tradition [is] where there's five skulls: the three in the center

symbolizing my small family…being book-ended by prosperity to the right and longevity to the left, depending on how you are looking at it, I suppose.

[Five-Skull Crown: The skulls stuck onto the five points of the crown represent the five main afflictions, anger, greed, pride, envy and ignorance, conquered and transmuted into the five wisdoms--ultimate reality, discriminating, equalizing, all-accomplishing, and mirror wisdoms. Cited here.]

Me: How long did it take/how many sittings? Was it one shop that you had it inked in?

Mat: Nope, a friend that sleeved both of my legs started the basic line work….and in Orlando, I ran into this up-and-coming fella, BJ, in a bar. He whipped out his digital camera, took some snapshots, said 'don't make any plans on Sunday'. He went, bought some reference books, and free-handed the entire thing. Four sittings total, about 25 hours.

Me: So, BJ did the majority of the work in Florida, right? After a friend of yours did the basic outline in Philly?

Mat: My back credit will go to BJ at Built 4 Speed Tattoo in Orlando, Florida. It should be noted that Built 4 Speed is a custom shop only...

Me: ...Custom meaning, by appointment only, no flash on the walls, all original work, right?

Mat: Yeah, no flash basically. That's the point I wanted to make.

Well, there will be more from Mat down the line, but I wanted to get this contribution up on Tattoosday first. Thanks to Mat for sending the photos and giving me the scoop on this awesome back piece!