libra tribal tattoo

libra tribal tattoo

Anthony's Tribal Tattoo, Inspired by Fiji

Last month I ran into Anthony in Penn Station with this interesting, yet unfinished, tattoo on his left arm:

A visitor from England, Anthony let me take the photo, but he was in a bit of a rush, so I didn't get too much information from him, other than this was a Polynesian-themed design, inspired by a trip he took to Fiji.

He credited Toni at Lycan Ink in Liverpool, England, with the work.

Thanks to Anthony for sharing with us here on Tattoosday.

Tribal Body Tattoo

Tribal Body Tattoo

Anthony's Dragon (and more!)

I spotted Anthony on the N train in Brooklyn and was happy to see him also switching for the local R train at 59th Street.

As luck would have it, both of us were headed home to Bay Ridge.

Anthony has a bunch of tattoos, and I snapped this photo of the dragon on his upper right arm:

It was inked by Joe at Brooklyn Ink.

He estimated that the work so far has been completed in about three two-hour sessions.

Work from Joe and other artists at Brooklyn Ink has previously appeared quite frequently on Tattoosday (all posts tagged as such here).

Anthony later emailed me photos of these shots as well:

The praying hands holding the rosary, I recall him telling me, were tattooed at Distinction Ink in Brooklyn. The tattoo reads "Forgive me Father, for I have sinned".

He did not tell me where he had this tribal sun done, but it's definitely an attention-grabbing piece and certainly worth a mention.

Thanks to Anthony for sharing his tattoos with us here on Tattoosday!

Cross Tattoos - Christian, Celtic, Tribal, and More Cross Tattoo Designs :

Cross tattoo has been around for years and has never lost its appeal even up to the present day. The reason being is its universal meaning plus the powerful significance it can convey. It generally is a representation of one's spiritual beliefs and faith.

Aside from being a religious symbol, it is also use as in loving memory tattoo, also known as RIP tattoo. Sometimes, symbols like heart, banner and flowers are combined along with the name of the dead person and the death date. The cross is tattooed as a memory of a loved one who passed away as if serving as a gravestone on one's body.

This type of body art comes in many forms. It was a favorite among the old school type of tattoos patronized by bikers, seaman and merchants. It can be seen combined with other elements such as skull, star, flames, dagger, rose, heart and banner.

Celtic cross is another popular cross tat design which is a representation of Irish, Scottish or Welsh heritage. It is easily identifiable as it is interwoven with Celtic knot which is a symbol of the never ending cycle of life. Some tat enthusiasts also choose to incorporate tribal art into their tattoo design while some choose the Gothic style of cross tat.

The Christian cross tattoo is the most popular form that is meant to symbolize one's faith in God. It can be in the form of Latin cross (simple cross) or in the form of crucifix bearing Christ's image while he was being crucified. It can also be combined with other religious images such as the angel, the rosary, image of Mary and Jesus Christ.

The symbol of cross as a tat image is usually inked small, perhaps to retain the sincerity of their symbolism. It is usually seen on small parts of the body such as the ankle, foot, wrist, upper back and arm. Cross tattoo, with its wide appeal and holy implications will always remain as a tat image that will be around for more years to come.

Tattoosday Goes To Hawai'i - All in the Family, Part 3 (Ikaika, In Progress)

Continuing with the mini-reunion, of sorts, with my family in Hawai'i, back in April, let's visit with my nephew Ikaika. If seeing my nephew Keali'i for the first time in 18 years was a trip, then talking to Ikaika was an all-out exercise in time travel, it seemed.

Ikaika, to my memory, was a toddler, barely a kid. Or, at least that's how I last remembered him. Now, he is an adult, and he remembered who I was, much to my amazement.

He shared his work in progress, a traditional-style Hawaiian pattern tribal sleeve, here:

This sleeve represents about twelve hours of work, all done by George "Keoki" Davis at HippoGrafix.

Ikaika also shared this hannya mask on the back of his calf, courtesy of "Tattoo Mike" Higuchi at Dark Side Tattoo in Honolulu:

Thanks to my nephew Ikaika for sharing his ink with us here on Tattoosday!

Previously in the Tattoosday Goes to Hawai'i - All in the Family series:

Part 1, A Preface
Part 2, Keali'i's Sleeves

Tattoosday Goes to Hawai'i: Reston's Expansive Ink

I've alluded, in previous posts, to a trip to Ala Moana Center, during which I was astounded by the amount of tattoos I saw, much more than I recall seeing on my previous trip, five years ago.

I was in the expansive food court section of the complex when I met Reston and his uncle. I was first intrigued by the work on his left arm:

but then, in one of those rare Tattoosday moments in which I see much more than I anticipated, his uncle convinced Reston to show me his back, which revealed this wonderful work:

For Reston, his tattoos are tributes to his heritage. The large Buddha on his back acknowledges the Buddhist faith that can be found on his father's side of the family. The tiki and tribal patterns are in honor of his mother's Pacific Islander lineage. This is apparent from the merging of the two styles (and the names "mom" and "dad" at the top of his back:

In addition, Reston shared this cool lizard on his left shoulder:

Actually, in Hawaiian tattoo styles, this is referred to more specifically as a mo'o, which can be defined (source here) as a "spirit guardian (lizard) that protects a resource, such as a fishpond, from overuse and other abuse". Mo'o are also referred to as geckos.

There's a lot going on with Reston's personal canvas, but you can see the geographic shapes of the mo'o design jumping off the skin.

  All the work was done in California. The Buddha back piece was inked by Jon Highland, owner of 12 Monkeys Tattoo in Tracy, California. The majority of the tribal/Polynesian work was tattooed by Orly at Humble Beginnings Tattoo Studio in San Jose.

A hearty mahalo to Reston for being bold enough to remove his shirt in the Ala Moana food court so we could all get to better appreciate his ink. We here at Tattoosday thank you for your contributions to the site!

Tattoosday Goes to Hawai'i: Tricia Allen's The Polynesian Tattoo Today

This is the first of many posts to follow from my recent trip to the beautiful state of Hawai'i....

On Saturday, April 24, I had the distinct pleasure of meeting a tattoo artist and writer who I have admired for quite some time.

I previously spoke about Tricia Allen when I looked at her book, Tattoo Traditions of Hawaii.


Now, with her new book freshly published, I not only got to have my copy signed, but I was fortunate enough to be there for the tattoo contest that followed.


The competition was divided up into four categories (Traditional Polynesian, Tribal, Non- Polynesian and Color). The whole event was pretty laid back, as far as tattoo contests go. In fact, there was a lot of work that was not entered among the audience that could have been in the money, so to speak.

With a heavy focus on the Polynesian style, the two entrants in the color category meant my tiger could have won third prize, at least, had I been astute (and courageous) enough to enter.


In the Traditional Polynesian category, I was particularly fond of Tino Hoffman's thigh piece (pictured, left) with a honu (sea turtle) at the center. Although one could also not help buy be impressed by Robert Medeiros (right), whose canvas merited him top honors in the Tribal category.

A whole slew of photos from the event can be seen here in one of the Facebook albums on the 808Ink fanpage. The magazine premieres next month as a quarterly publication dedicated to tattoos in and around Hawai'i.

It was clear to me that one of the many talents present was the namesake of Tattoos by Bong. I even had a chance to meet Bong, who was responsible for the incredible art on Mr. Medieros.

Having just flown in earlier that day from New York, I most likely would have been a little more hyper-involved with the post-contest mix of book signing (even the subjects featured in Ms. Allen's book were signing the pages on which they appeared) and tattoo admiration among the dozens of contestants and throngs of tattoo fans. But, as 10:00 PM approached, my internal clock was still screaming at me from the Eastern Time Zone yelling "4AM! 4AM!". So i had to bow out a little earlier than I would have liked to.

I spent just under five days on Oahu, and was amazed by the amount of tattooed folk I spotted, much more than I remember seeing just a few years earlier. The skyrocketing popularity of tattooing on the mainland is certainly mirrored in the fiftieth state and amplified, it is safe to say, by the deep roots of tattooing in Polynesian culture and history.

Nowhere is this more apparent than in the beautiful, glossy pages of Tricia Allen's new book, which receives a ringing endorsement from us here at Tattoosday.


The book is no tiny effort. At 285 pages, it features hundreds of full-page color photos of various styles of Polynesian tattoos, not just from Hawai'i, but from all around the South Pacific. In addition, many of the artists who created the work are profiled in the back section of the book.

I cannot help but enthusiastically recommend the book to all. It certainly made my flight back to the East Coast a lot more enjoyable. My biggest regret was not being in Hawai'i long enough to be able to have Ms. Allen tattoo me, an activity at the top of my to-do list in the future.

One more ringing endorsement comes from Ed Hardy: “This collection of amazing photos attests to the high level of artistic achievement and technical ability of the Polynesian people today, as well as non-islanders who have been heavily influenced by the art of the Pacific.”

Buy your copy from Tricia's website directly here and while visiting the site, explore the galleries, sign up for her newsletter, and check out her schedule to see when and where she will be tattooing and/or signing copies of her book in the future.

Tattoorism: Tammy from Texas

Last summer, my wife Melanie met Tammy on the staff message board of their company's website, where she and other employees across the country can exchange ideas and feedback. As a leader for Weight Watchers, Melanie often comes across members and co-workers who have used tattoos for inspiration and to mark milestones.

When talking to Tammy, a leader in Texas, she learned that she was inked, as well. She sent her the link to Tattoosday, and Tammy sent us photos of a few of her eleven tattoos.

We'll let Tammy describe them for us:

"I got my very first [tattoo] when I was 21 in Virginia while getting a tattoo for my younger brother but I didn't get another for several years at which time I had my uncle in Arkansas place a rose under the butterfly I had done first. It is old and faded but holds so much meaning to me as my uncle passed away in his 40s about 5 years ago so I have him with me at all times...I then waited a couple more years and had a dolphin put on my left ankle as a reminder of a trip we had made to Florida. About a year later an apprentice in Shreveport added an ankle wave under the dolphin.

I then took a long break from tattoos and the rest have all been done in the last 5 years here in Wichita Falls, Texas, with the exception of the tribal butterfly [seen below]. I had it done in Lawton, Oklahoma, when my son was getting his rib piece finished up [a subject of a later post].

On my right thigh I have the New York Yankees logo:

On my left shoulder blade my husband and I got kanji symbols for Eternity for our 19th wedding anniversary. I have a tribal butterfly (the only tattoo I have ever picked off a wall) put on the top of my left foot and I love it:


When I hit 50 pounds gone, my oldest son paid for the star that everyone sees in pictures I post:

And a Pisspot with my husbands name [pictured left]. My husband just retired with 26 years in the service and was AMMO-I always wanted this but was never brave enough nor skinny enough for that so called "tramp stamp"... it actually looks awesome although this picture is a little blurry.



And of course when I hit Lifetime [when a Weight Watchers member reaches their goal and maintains it for six weeks], my rib piece came alive:

The photo above is the tattoo right after it was completed. Here is how it healed:



Most of Tammy's work was done at A Different Drummer Tattoo Studio in Wichita Falls.

Thanks to Tammy for sharing some of her photos with us here on Tattoosday!

Two for Tattoosday: A Break-Up Tattoo and Some European Tribals

Sure I'm posting Wednesday but both of these volunteers were MSG plaza-dwellers on Tuesday and, rather than save then for separate days, I thought I'd put them together.

First up is Erik:

Sorry I cut this off, but I couldn't see the screen in the sun's glare. Erik has a 3/4 sleeve (left arm), his mother and grandmother's names inked on, a small back piece, a leg piece, and a diamond on his chest, but we went with this design, on his left forearm, because it is more recent.

Tattooed by Eric Newman at Silk City Tattoo in Hawthorne, New Jersey (the shop was credited previously only two days ago here), this piece, a dagger through a flaming skull, was purchased for Erik by an ex-girlfriend, after she broke up with him. It is meant to represent a new beginning.

At the end of the day I met Cesar, also in front of the Garden. This is the tattoo that caught my eye:


I'm not a huge fan of tribal pieces, but this one on his right calf is one of the nicer pieces I have seen in a while. I especially like how it is not a solid black design, but resembles a textured wood. Cesar, who is from Italy, is in New York for only two days, and we had some difficulty communicating. This tattoo was inked in Brescia, in Northern Italy, and cost $40. (He offered, I have decided asking is not polite.)

He then showed me a tiki piece on his inner right bicep:


There are two faces, one representing good, one representing bad, juxtaposed on the tattoo, which was inked on the island of Ibiza, which is part of Spain.

Cesar told me the name of the shop was Sara, but I couldn't find a listing. However, considering the type of tattoo he received, I am going to go out on a limb and guess he got this piece at Tahiti Tiki Tattoo.

Thanks to Erik and Cesar for making Tattoosday a true Tat-twos-day!

Chalk it Up to Teenage Angst

Sunday morning I was leaving Rite-Aid when a woman walked in. She had several visible tattoos so I turned around and walked back into the store. I introduced myself, Tattoosday, etc., and Courtney was happy to share her tattoo stories with me, offering up one of her seven tattoos:


All of her work is in black and gray. This piece is a tribal design, and is Satanic in origin. Courtney explained. She was a lapsed Roman Catholic who became involved in the Church of Satan. This piece is about 5 years old and was inked by Richie at Tattooing by Richie in Elmont, Long Island.

Incidentally, Courtney is no longer affiliated with that lifestyle and has returned to the Catholic Church. She says she was going through a phase and was experiencing teenage angst.


I had a nice chat with her about tattoos and how she is finding it challenging because she has a corporate job now, and finding attire that covers her ink appropriately can be tough. This almost limits her in her choice to get any more work done.

From what I can recall from our conversation and from seeing what was visible, she has three or four pieces in all on her legs, a tribal design on the lower part of her neck, an ankh on her lower back, and another piece on her right biceps. She did not show the biceps or lower back tattoos.

I explained to Courtney my policy is generally not to ask people, who are generally women, if I can photograph their lower backs. If they offer (like this woman did), I will snap away.

Thanks to Courtney for being so cool, talking tattoos with me, and sharing her Satanic piece with Tattoosday! Here's hoping she'll make a return visit here in the future!

Anger Management

It is my practice, when someone is heavily inked, and they've agreed to let me take a picture, to ask them to offer up the piece that means the most to them.

Last week I approached a guy named John in front of Madison Square Garden. He had numerous tattoos on his arms and looked like an excellent Tattoosday candidate. However, when I asked him what tattoo was the most special, he raised his right pant leg to show me this interesting design on his calf:

John described this "biomechanical" design as a shield that keeps his demons locked inside. The tribal symbol is an anchor that keeps him grounded. He was very open and acknowledged that he had anger management issues. The tattoo gives him strength to control those issues.

This tattoo is one of 15 that John has. It was inked by High Roller Tattoo, in Hicksville on Long Island, NY.

After thanking John, I asked the woman standing next to him if she had any tattoos she wanted to share. She did. Donna has two kanji characters on her lower back that I wasn't able to get complete photographs of. I asked her to, at her convenience, send me better pictures, if she was interested in joining these pages. She said the kanji meant a lot to her, so I am interested in finding out why.

Thanks John, again, for your participation. Here's hoping Donna will e-mail me about her tattoos.

Tattoosday #6: Going Mobile

Sorry for the delay in posting, I was worried I would have to improvise, but found two participants today. Last Friday I had my first rejection: a guy at 53rd and 6th Avenue sitting on a bench was the first person to decline. He had many colorful tats on both arms and seemed open at first, but was adverse to my taking any photographs.

On Tattoosday Eve, Labor Day, I still had nothing for the post. I stopped someone in front of my building yesterday with a really cool Hellboy tattoo. He seemed receptive but wanted to check out the blog first.

I found myself with many opportunities but passed, not necessarily out of lack of nerve, but because the tattoos were not so nice, old, faded, or blurred by too much sun. I
have seen a handful of dolphin tattoos like the one the Ancient One sent me.

Today was the kids' first day of school, so I took off from work. Around 11 AM, I decided to ride my bike, eventually making it to Coney Island, where I guessed I could find some good ink. Yet it was still sparse, I had ridden down the Boardwalk and had circled back when I found my first subject.

I approached two young ladies who were taking pictures. One of them had a tattoo on the back of her neck:


The Japanese characters spell out the woman's name, Fernanda. Unlike on the recently-aired episode of VH1's "Rock of Love," in which one of the contestant's gets Bret Michaels' name tattooed on the back of her neck, as a show of devotion, Fernanda has inked her own name. I see a lot of people that do their own names on their arms or legs (I work with many who have done so), and have never really understood the phenomenon.

But in Fernanda's case, I get the artistic expression a little more. These are Japanese letters that have a greater aesthetic impact than Roman letters. When I asked Fernanda why she tattooed her name, she merely expressed that she loved Japanese letters and Japanese culture. She was born and raised in Brazil and has only been living in New York for a year. She did not remember the name of the shop where she had the tattoo done, but narrowed it down to the Astoria section of Queens for me.

I have to agree, it's a pretty cool tattoo.

I made another pass and headed back home. Once I made my way to the Shore Road promenade, where I do the majority of my cycling. I have several spots along the several-mile route from which I can head home. I decided to go down to the 92nd Street footbridge. Standing on the bridge was a gentleman who seemed to be cooling off from running. He had earbuds in and a large biceps piece. He also had an ankle piece and another tattoo on his triceps.

I passed him while walking my bike and then headed back and said loudly, "Excuse me!" He removed his earbuds and I explained my mission. He was game. His name was Mike and he had 6 tattoos in all and didn't mind which one I photographed. I asked him which one was the most special and he held up his arm and pointed to the piece on his triceps. This one:


He explained it a tribal Native American designed mixed with the American flag which he got as a tribute after 9/11. The piece was done by Craig Cooley at Abstract Tribal Tattooing in Brooklyn. I asked him if he was a fireman, and he said, "No, a police officer." I thought, with the 6th anniversary of September 11 just a week away, it was a perfect punctuation mark to end a week of tattoo-spotting, and begin a week of reflection on this somber anniversary.

Thanks to Fernanda and Mike for their participation in this edition of Tattoosday!