Adrian's Ink Celebrates His Heritage

I met Adrian last month on a fluke - I was on the D train headed to Brooklyn going to a dentist's appointment, having left work early.

I approached him about his ink and we had a really great discussion about tattoos and art.

Adrian is a wonderful artist and his work can be seen here at Viajero Art (dot) com. Take a look at this exhibit, a mixed media piece that just looks amazing.

He shared two of his tattoos with me. First, this piece:

This tattoo, on the inside of Adrian's right arm, is a Puerto Rican mask. Adrian's family hails from the small town of Loíza, in northeastern Puerto Rico. In the festival of St. James, the Apostle, people wear traditional masks like these as part of the celebration. Adrian explained that St. James was known, among many things, for helping the Spanish fight back invading Moors. One of the functions of the masks, he explained, was to  scare people into going back to church, where the masks represented the terrifying Moors.

Adrian also shared this piece from his right forearm:

This tattoo, he told me, represents the women in his life. The fact that she is depicted as a gypsy is for good luck. The detail in this tattoo is astonishing:

He told me that the artist, the talented Marcus Kuhn, used the image from a popular brand of jalapeno peppers, La Morena, as a model for the woman in the tattoo. You can see the resemblance:

Marcus Kuhn tattoos out of Red Star Irons when visiting New York.

Thanks to Adrian for sharing his amazing tattoos with us here on Tattoosday! I look forward to seeing more of his art in the future!

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A Selection of Jorge's Tattoos

I met Jorge last week at the top of the escalators leading from Penn Station to 7th Avenue.

He has quite a few, and I took photos of the front and back of his left forearm.

The inner part of his arm has this koi design:


A friend of his did this for him, which he got for luck before going overseas with the U.S. Army to Iraq in 2008. He proudly served with the Third Brigade Combat Team, 101st Airborne Division, 187th Infantry Regiment, also known as The Rakkasans.

Jorge loves what he calls his "good luck koi fish" and says "We deployed for 15 months....every time I was tired for walking for 2 or 3 days nonstop, I would look at my tattoo and smile and keep walking...".

After returning, he got this tattoo in Nashville:


This piece was just a very cool design.

Bridging these two very different tattoos are two cherry blossoms:


Jorge wanted to make sure they didn't get omitted from the post, as these flowers represent his mother and sister.

That would have been it for this post from Jorge, except the day after meeting him, he sent me this shot of a tattoo on the upper left side of his back:

He hadn't mentioned this when I met him, so I was pleased to include it in the post.

Jorge got this piece at Coyote's Tattoo in Lima, Peru.

He says this is a tribute to his mother and his Peruvian heritage. It is based on a pure gold artifact found next to a mummy in Peru which he saw on display in the American Museum of Natural History.

Thanks again to Jorge for sharing so many of his tattoos with us here on Tattoosday!

Juan's Sleeve, Traditional Elements, Inked in the Bronx

A burst of pleasantly warm weather this week signified the end of a quiet winter.

Posts have been scarce indeed, but I see busier times ahead.

Wednesday afforded me my first "Tat* Trick" of 2010. That term, for those unfamiliar, is reserved for a day when I meet and photograph at least three tattoo hosts. Even rarer is the "Lunch Tat Trick," which involves me getting photos from three people (or more) in the course of an hour, on my lunch break.

So I am grateful for the following contributor, and the two three other nice people from the 10th of March.

I spotted Juan in Penn Station and he offered up this half-sleeve-in-progress, which includes a skull element and a panther :


Inked by Freddie Arroyo at Cool Hand Tattoo in the Bronx, this tattoo features his ideas and the artist's interpretation of the suggested design elements. The mask at the bottom of the design is one element I find exceptionally interesting, as it deviates slightly from what a traditional demon mask looks like, and takes on a slightly more original appearance which more likely reflects the style of the artist:


The work as photographed represents two sittings. Not seen in the shot above, but quite impressive, is the work and color of this flower, which is on the inside of the biceps, extending into the ditch:


Thanks to Juan for sharing this tattoo with us here on Tattoosday!

* Ed. Note:Tattoo purists often raise an eyebrow at the term "tat" to denote a tattoo. I generally employee it when I am attempting a clever play on words. Sometimes, I fail.

Tattoos I Know: Paul Part 2, or, The Traditional Japanese Sleeve

NOTE: This post was updated on March 31, 2008 with three additional photographs.

Here's a Tattoosday first: a repeat subject in this blog's history.

Paul appeared here first, showing off his first tattoo, a dragon. In this post, Paul returns, showing off a full sleeve on his left arm.

The sleeve consists of traditional elements: there is a dragon, a lotus, a mask, a lily, and a koi.

If you went back in a time machine 8 or 9 years to visit Paul's arm, you would have seen a grim reaper holding a skull on the bicep:


and some roses in a pattern on the forearm. These earlier tattoos have been covered by elements in the sleeve. Even when told where the original ink lies, it's extremely difficult to see the previous work.

So I will break this down into two sections: the upper arm and the lower arm.

The upper arm began with the dragon cover-up:

The dark rock below the dragon covered the old piece. This design, which included the aum or om symbol at the top of the arm, was inked by Carlos at Rising Dragon Tattoos in Chelsea back in 2001. The aum symbol is the Siddhaṃ script version and is a mystical and sacred symbol in Indian religions. Note that this om is different than the one that appeare din the first Tattoosday post here.

Paul was not 100% thrilled with the dragon, so when he decided to finish the sleeve, the following year, he went elsewhere.

The lower part of the arm, which is the more prominent part of the sleeve, was inked by Mike Bellamy at Red Rocket Tattoo in Manhattan, although at the time his shop was known as Triple X Tattoo.

The specific elements in the sleeve are all traditional irezumi, or Japanese tattooing, elements.

The largest piece is the koi. It appears to be a golden koi.

There's a whole discussion here on what koi tattoos symbolize.

In addition, one can read here about the symbolic nature of the lotus flower in tattoos.

Paul also referred to the other flower as a spider lily.

However, there are so many different varieties of specific families of flowers, that I often have a hard time finding good pictures to represent the tattoos.

The additional element in the sleeve which is only a small part, but is still interesting is what Paul referred to as the "kite mask":

Masks are traditional parts of Japanese tattoo design, but this specific one is hard to pinpoint for me. Here are some Chinese mask kites. Yet, the fact that I cannot easily find one on the web, just fascinates me more.

Paul estimates that the whole sleeve (including the dragon from 2001) took about 20 hours of work, and he did it in 6-7 sittings, mostly in 2002.

Paul sent me the following photos from the New York City Tattoo Convention, where Mike Bellamy did some of the work on Paul's sleeve:

That's Paul and Mike on the far left of the photo:

Thanks to Paul for helping me update this post with additional shots!