Showing posts with label Rising Dragon Tattoos. Show all posts
Showing posts with label Rising Dragon Tattoos. Show all posts

Saturday, July 30, 2011

Better Late Than Never

Back in April, I ran into John in Herald Square (34th and 6th) who had some pretty amazing work. He estimates he is about 25% covered in tattoos, which includes both arms, hands to shoulders, and both sides of his neck.

I stopped him and handed him a flier, but he was in a hurry, so we went our separate ways.

A month or so later, he e-mailed me a couple of photos:



John "loved Popeye growing up" and "love[s] the way [tattoos] look".

Not a lot more to tell, other than this was done by Rodrigo Melo, when he was at Rising Dragon Tattoos on 23rd Street (now on 14th). Rodrigo has since left Rising Dragon and co-founded North Star Tattoo in the East Village.

John is a photographer whose work can be seen here.

Thanks to John for sharing his ink with us here on Tattoosday!


This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Thursday, June 2, 2011

Andrew's Traditional Sleeve by Horisei



Every once in a while, it's nice to appreciate a tattoo for its own sake. This is especially rewarding for me when I am familiar with the artist, and I know people who have been tattooed by him or her, which has allowed me to appreciate their craft over time.
Two of my friends have been fortunate enough to have been tattooed by the wonderful Horisei (their work appeared here and here). Horisei works out of Chelsea Tattoo Company, former location of Rising Dragon.

So, when I spotted Andrew, coming out of Penn Station last month, I was more than thrilled to take shots of his Horisei-crafted sleeve.
Andrew estimates that this took about twenty hours of work, over a two to three month period.


His traditional Japanese sleeve consists of a tiger, two koi, and peonies, in addition to the water background.


Thanks to Andrew for sharing his awesome sleeve with us here on Tattoosday!


This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Saturday, December 25, 2010

Christmas House Cleaning

Regular readers of Tattoosday will notice that, although I generally follow a chronological order when I share tattoos I have encountered.

However, certain pieces, for various and sundry reasons, have been bypassed, and haven't made it to the blog, until now.

I was originally going to post a dozen to represent the Twelve Days of Christmas, but I settled for eight. For the nights of Chanukah, perhaps?

Without intending to offend anyone for not receiving a post all to themselves, I have lumped these tattoos, spanning from late August to late October, in one post.

These are the neglected tattoo pictures that are just a little off, some not through the fault of the contributor, but for reasons beyond their control.

The quality of the photo may not be ideal, or the host and I faced a language barrier that prevented a good back story from emerging, or I didn't find the story behind the tattoo especially compelling. And then
there's what is likely one of the poorest tattoos I have seen, but the story behind it is somewhat compelling.

So, without further ado, here is a Christmas cleaning, eight posts rolled together into one gigantic one.

~~~

First up, we have Esteban, who shared his sleeve when I met him in September, at Fairway in Red Hook:

Alas, I was still using a borrowed camera, and several shots were over-exposed and/or blurry, but I was able to salvage this one:



The artwork is pre-Colombian in its inspiration, and is part of a larger tropical motif.

Next up we have Dave, who I met in Penn Station. He has over 25 tattoos and selected this one to share:


The phrase "Uniting the Strong" is the title of a song from Victim in Pain, the second album from the band Agnostic Front. This is a friendship tattoo that stresses unity and the host's nod to the hardcore punk scene.

Dave credits Jelena at Lone Wolf Tattoo in Bellmore, New York with this piece.

~~~

Next we have Orlando, a Fine Arts student at FIT, where I met him outside while walking toward 23rd Street on my lunch break, also in September.

This ship tattoo is an homage to his father, who served in the navy for thirty years. He wanted a "classic look" in the Sailor Jerry style.


Orlando confirmed for me that his dad loves the tattoo.

It was inked at Crazy Fantasy Tattoo in Manhattan by an artist named Antonio.

[Update: I got a better, crisper picture from Orlando of the ship tattoo in May 2011:]


Orlando has seven tattoos in all [in May 2011, he updated this number to ten], and shared this one, as well, inked at Dare Devil Tattoo on the Lower East Side.


The quote, "This my excavation and today is Kumran" is from a song called "re: Stacks" by Bon Iver.

Orlando explained that he interprets this quote as a reminder that "every day has the ability to make you or break you. It just depends on what you do with it." Other interpretations are here.

For the record, I did email Orlando to ask for an opportunity to get clearer pictures, but I did not hear back from him.

~~~

I met Farkas in Union Square back in October. He had this wolf on his right arm:


He explained that his name means "wolf" in Hungarian, and that one of his friends in Hungary did this tattoo for him.

~~~

A couple days after meeting Farkas, I met an Israeli named Ran on 34th Street across from Macy*s. He shared this iguana on his right leg:



It's a pretty nice tattoo, but he hasn't sent me any further details about it.

~~~

A couple weeks later, I was in the West Village before a concert, and met Carlos, a manager at the Qdoba Mexican Grill where we were having a quick bite before the show. He shared this intricate tattoo on his right arm:



He and friend collaborated on this tattoo together. He told me that, when he was little, he did jigsaw puzzles with his mother a lot. The tattoo reminds him of those fun times growing up.

~~~

The following week, I ran into Iancu in Penn Station, and he shared this piece on his upper left arm:


Iancu told me he came to the artist, Rico, formerly of Rising Dragon in Manhattan, who was initially unwilling to do the tattoo. However, he convinced him to do it. It's basically a Guns N' Roses tribute although, he
noted, the guns were added about a year and a half after the original design was inked.

~~~

And finally, I must first say that  it is very rare that I ever criticize the quality of a tattoo.

Even if it is inferior to the work of much better artists, I always like to believe there are some redeeming qualities in a tattoo.

Which is why I struggled with this next tattoo, which I photographer back in August, and which I have included in this odds and ends post in December.

I approached a guy named Danny who had a lot of interestingly-tattooed words and such on his arms.

However, he offered to remove his shirt in Penn Station so I could photograph this:



Um, yeah.

If this was done by an experienced artist, I would likely not have posted it. Despite its obvious flaws, it is compelling, in my opinion, because Danny told me, like all his tattoos (15 or 16, he told me), this one was
self-inked. Now, I can see tattooing one's arm or leg, but I cannot even fathom how challenging it would be to self-tattoo your chest. He estimated this took one and a half hours to do.

The message is "Diamonds Aren't Forever," or, in  Danny's words, "don't take what you have for granted".

~~~

So there you have it, a Spring Cleaning for Christmas.

I do sincerely thank the individuals who shared their tattoos in this entry. Happy Holidays, y'all!

Tuesday, July 13, 2010

Two for Tattoosday: A Purple Lotus and the Fletcher House

In keeping with the spirit of duality, today's post is a two-for-Tattoosday Tuesday special.

Yesterday outside of Madison Square Garden, amid throngs of Iron Maiden and Dream Theater fans, I met two guys who just happened to be there. If you want to see a great Maiden tattoo, look back in the archives here.

I met Roman, who conceived and performs in "Evolution," showing Tuesday, July 13, and Tuesday, July 20, at the Magnet Theater (254 W. 29th Street between 7th and 8th Avenues). With him was Louie, who directs the show which is billed as "international and comedic true stories intertwining spirituality, sex, laws, identity, drug vusts, discomfort, fear and discovery from a spontaneous road trip down south".

Roman shared first, which seemed only fair, as it was his tattoo I noticed,creeping out from under his left sleeve:


He got this purple lotus because he likes the color purple (the actual color more than the movie of the same name). And the lotus is special because, in Buddhism, he understands the lotus to symbolize "freedom of attachment and desire".



This tattoo took 3 to 4 hours and was inked by David Sena when he was at Rising Dragon when they were at their 23rd Street location, although Sena is now at North Star Tattoo, the shop he co-founded in the East Village.

Louie's tattoo was much smaller, but it had a more elaborate story:



This small design, on the outer left ankle of, represents a house in Vancouver, British Columbia, in which he and seven different people lived at different times during their college days. The house and the memories they all shared together there are so important, that Louie and six other friends share the same tattoo.

The narrative took on a more elaborate spin, as Louie explained that his group of friends came up with a family name to represent the denizens of this house. They were/still are "the Fletchers," all residing in the Fletcher House. He likened them to an extended family like The Ramones, and they chose the name because it sounded tough.

So, as Louie a.k.a. "Rock" Fletcher tells it, his friend "Slim" Fletcher drew up the simple design for the house tattoo, and they had it inked at Addiction Ink NYC. Over the years, when one of the Fletcher family came to town, they went down to the shop to have the family member tattooed with the same design, not necessarily on the ankle, like Louie/Rock.

It should be noted that Kim Fletcher, who is a relatively new mom (congrats Kim), has avoided the tattoo, so the rest of her Fletcher family created a needlepoint design of the house for her, so that she has the tattoo in a different shape and form, needled, but not in her flesh. Yet. Now that it is written here, forever on the pages of Tattoosday, it is only a matter of time. Kim Fletcher, you destiny is calling.

Thanks again to both Roman and Louie for sharing their tattoos with us here on Tattoosday! Be sure to catch their play "Evolution" at the Magnet. If you show up at the box office and mention this post, you won't get any kind of discount, but I'm sure that they'll be thrilled to hear that you showed up as a result of their contribution here!

Sunday, July 4, 2010

Repost: Happy Independance Day!

Happy 4th of July. I am away for the weekend up in Woodstock, New York, so I'm reposting a patriotic tattoo that appeared here back in 2008. Have a safe and enjoyable holiday!


I ran into Rob in my neighborhood in late August and he gladly shared his patriotic tattoo.

Rob is a Revolutionary War buff and has a distinct interest in American history.

He wanted an "old school" tattoo back in 2000, and wanted something patriotic back "before it was fashionable". He's referring of course, to the explosion of post-9/11 red, white and blue ink. He wasn't disrespecting or being critical of patriotic tattoos done after 2001, he was merely clarifying for me that his piece was not a product of the huge wave of emotion that surged through the country after that day of infamy seven years ago.

Rob's "Land of the free, Home of the brave" banner with the original 13-star flag was inked by Darren Rosa at Rising Dragon in Manhattan. Work from Rising Dragon has appeared on Tattoosday previously here.

Thanks to Rob for sharing his red, white, and blue patriotic tattoo with us here on Tattoosday on this occasion.

Monday, March 17, 2008

Tattoos I Know: Paul Part 2, or, The Traditional Japanese Sleeve

NOTE: This post was updated on March 31, 2008 with three additional photographs.

Here's a Tattoosday first: a repeat subject in this blog's history.

Paul appeared here first, showing off his first tattoo, a dragon. In this post, Paul returns, showing off a full sleeve on his left arm.

The sleeve consists of traditional elements: there is a dragon, a lotus, a mask, a lily, and a koi.

If you went back in a time machine 8 or 9 years to visit Paul's arm, you would have seen a grim reaper holding a skull on the bicep:


and some roses in a pattern on the forearm. These earlie
r tattoos have been covered by elements in the sleeve. Even when told where the original ink lies, it's extremely difficult to see the previous work.

So I will break this down into two sections: the upper arm and the lower arm.

The upper arm began with the dragon cover-up:



The dark rock below the dragon covered the old piece. This design, which included the aum or om symbol at the top of the arm, was inked by Carlos at Rising Dragon Tattoos in Chelsea back in 2001. The aum symbol is the Siddhaṃ script version and is a mystical and sacred symbol in Indian religions. Note that this om is different than the one that appeare din the first Tattoosday post here.

Paul was not 100% thrilled with the dragon, so when he decided to finish the sleeve, the following year, he went elsewhere.

The lower part of the arm, which is the more prominent part of the sleeve, was inked by Mike Bellamy at Red Rocket Tattoo in Manhattan, although at the time his shop was known as Triple X Tattoo.

The specific elements in the sleeve are all traditional irezumi, or Japanese tattooing, elements.

The largest piece is the koi. It appears to be a golden koi.

There's a whole discussion here on what koi tattoos symbolize.




In addition, one can read here about the symbolic nature of the lotus flower in tattoos.













Paul also
referred to the other flower as a spider lily.

However, there are so many different varieties of specific families of flowers, that I often have a hard time finding good pictures to represent the tattoos.

The additional element in the sleeve which is only a small part, but is still interesting is what Paul referred to as the "kite mask":

Masks are traditional parts of Japanese tattoo design, but this specific one is hard to pinpoint for me. Here are some Chinese mask kites. Yet, the fact that I cannot easily find one on the web, just fascinates me more.

Paul estimates that the whole sleeve (including the dragon from 2001) took about 20 hours of work, and he did it in 6-7 sittings, mostly in 2002.

Paul sent me the following photos from the New York City Tattoo Convention, where Mike Bellamy did some of the work on Paul's sleeve:

That's Paul and Mike on the far left of the photo:

Thanks to Paul for helping me update this post with additional shots!