Showing posts with label song lyrics. Show all posts
Showing posts with label song lyrics. Show all posts

Friday, July 1, 2011

A Cure for Friday

It may be the first of July, but it's the end of the work week, and I thought, "What better way to end the week than with this tattoo?"


This belongs to Christina, who loves The Cure, whose song "Friday I'm in Love" inspired this tattoo.

Christina is French, and she credits her friend, Tomas Lebrun, with tattooing this for her in Paris.

For a little perspective, and appreciation, here's the Cure performing the song in New York in 2008:



Thanks to Christina for sharing her tattoo with us here on Tattoosday!

This entry is ©2011 Tattoosday.


If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Thursday, April 21, 2011

The Tattooed Poets Project: Jared Singer

Yesterday, we enjoyed the tattoos and poetry of Elliott D. Smith. Today, we get to check out the work of his roommate, Jared Singer.

I met Jared, along with Justin, last month at the Barnes & Noble flagship store. Like Elliott, Jared's tattoo is a work "in progress" inked by the incomparable Joy Rumore at Twelve 28 Tattoo in Brooklyn.

Check out Jared's upper right arm:


Jared explained that this tattoo has two origins. First, it was inspired by lyrics from a group called Living Legends. More specifically, the words "I'm so fly, even my shadow has its own friends."

The other motif in this piece comes from the lyrics in "9-5ers Anthem," by Aesop Rock, that proclaim, "I tend to underestimate my own average."

Jared says he originally conceived of the piece consisting of "shadows with other shadows". Joy drew up the design and said, "How about this instead?"

The rest is history. Well, sort of. As mentioned at the top of the post, this sleeve-to-be is still a work in progress.

Jared shared this poem with us:


The Last Love Letter from an Entomologist

Dear Samantha,
I’m sorry, we have to get a divorce.
I know that seems like an odd way
to start a love letter, but let me explain.
Its not you,
it’s definitely not me,
it’s just, human beings don’t love
as well as insects do.

I love you far too much to let what we have
be ruined by the failings of our species.
So instead,
I’m going to leave you now,
while I can still remember you fondly.
I saw the way you looked at the waiter last night,
I know you would never do anything,
you never do, but still I
saw the way you looked at the waiter last night.

Did you know that when a female fly
accepts the pheromones put off by a male
It rewrites the way her brain works,
destroys the receptors for pheromones.
Sensing the change, the male fly does the same.
When flies love each other,
they do it so hard,
that they can never love anything else ever again.
if either one dies before procreation
both sets of genetic code are lost forever.
Now that is dedication.

After breaking up with Elizabeth
we spent three days dividing
everything we had bought together
like if I knew which pots were mine,
like if I knew which drapes were mine,
the pain would go away.

When two praying mantises mate,
the nervous system of the male
begins to shut down.
While he still has control over his motor functions,
he flips onto his back
exposing his soft underbelly to his lover like a gift.
She then proceeds to lovingly
and I do mean lovingly
 dice him into tiny pieces
which she  shoves carefully into mouth
wasting not a single morsel,
even the exoskeleton must go.
She does this so that
so that when their children are born
she has a first meal to regurgitate to feed them.
Now that is dedication.

I could never do that for you.
So I have a new plan.
I plan on spending the rest of my life committing petty injustices.
I will jaywalk at every opportunity
I will steal things I could easily afford
I will be rude to strangers
I hope you will do the same.
I hope reincarnation is real.
I hope that these petty crimes cause me to be reborn as a lesser creature.
I hope we are reborn as flies.
So that we can love each other as hard as we were meant to.

~ ~ ~
We also have the good fortune of having video of Jared performing this piece at the Bowery Poetry Club in 2009:



Jared Singer is a poet and audio engineer who lives in New York City. While he may have physically grown up with his peers, he has never forgotten the imagination, magic, and nerdiness that were corner stones of his childhood. He hopes to remind others of these more creative times. He has been published by The Legendary, Union Station Magazine, The Spoken Word Almanac Project 2010 and has also appeared on the Indiefeed Peformance Poetry Podcast. He is the NYC Urbana 2009 Grand Slam Poetry Champion, The 2009 NYC Louder Arts Individual World Poetry Slam representative and a member of the 2010 Nuyorican Poets Cafe Poetry Slam Team.

Much thanks and appreciation to Jared for sharing his work with us here on Tattoosday!


This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit
http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Wednesday, January 5, 2011

Jill Walks On with Her Ink

I spotted Jill in the beginning of November sitting in the New Jersey Transit waiting area at Penn Station.

She has eight tattoos, five are symbols and three are word-based, including this one on her forearm:


The one she shared with us is based on the song lyrics of U2 and their song "Walk On".


The letter G and the date refer to her grandmother and the day she died, March 2, 2010.

The lyrics are "And I know it aches/And your heart it breaks/You can only take so much/Walk on".

Jill said that listening to music got her through a difficult time and this song, in particular, carried and sustained her through the mourning process.

Coincidentally, March 2 marked the anniversary of her meeting the band in 2009.

She chose an Edwardian script and the tattoo was inked by Mike at Fat Kat Tattoos in Keyport, New Jersey.

Work from Fat Kat has appeared previously on Tattoosday here.

Thanks to Jill for sharing this special tattoo with us here on the site!

A little extra treat, video of U2's "Walk On":

Saturday, December 25, 2010

Christmas House Cleaning

Regular readers of Tattoosday will notice that, although I generally follow a chronological order when I share tattoos I have encountered.

However, certain pieces, for various and sundry reasons, have been bypassed, and haven't made it to the blog, until now.

I was originally going to post a dozen to represent the Twelve Days of Christmas, but I settled for eight. For the nights of Chanukah, perhaps?

Without intending to offend anyone for not receiving a post all to themselves, I have lumped these tattoos, spanning from late August to late October, in one post.

These are the neglected tattoo pictures that are just a little off, some not through the fault of the contributor, but for reasons beyond their control.

The quality of the photo may not be ideal, or the host and I faced a language barrier that prevented a good back story from emerging, or I didn't find the story behind the tattoo especially compelling. And then
there's what is likely one of the poorest tattoos I have seen, but the story behind it is somewhat compelling.

So, without further ado, here is a Christmas cleaning, eight posts rolled together into one gigantic one.

~~~

First up, we have Esteban, who shared his sleeve when I met him in September, at Fairway in Red Hook:

Alas, I was still using a borrowed camera, and several shots were over-exposed and/or blurry, but I was able to salvage this one:



The artwork is pre-Colombian in its inspiration, and is part of a larger tropical motif.

Next up we have Dave, who I met in Penn Station. He has over 25 tattoos and selected this one to share:


The phrase "Uniting the Strong" is the title of a song from Victim in Pain, the second album from the band Agnostic Front. This is a friendship tattoo that stresses unity and the host's nod to the hardcore punk scene.

Dave credits Jelena at Lone Wolf Tattoo in Bellmore, New York with this piece.

~~~

Next we have Orlando, a Fine Arts student at FIT, where I met him outside while walking toward 23rd Street on my lunch break, also in September.

This ship tattoo is an homage to his father, who served in the navy for thirty years. He wanted a "classic look" in the Sailor Jerry style.


Orlando confirmed for me that his dad loves the tattoo.

It was inked at Crazy Fantasy Tattoo in Manhattan by an artist named Antonio.

[Update: I got a better, crisper picture from Orlando of the ship tattoo in May 2011:]


Orlando has seven tattoos in all [in May 2011, he updated this number to ten], and shared this one, as well, inked at Dare Devil Tattoo on the Lower East Side.


The quote, "This my excavation and today is Kumran" is from a song called "re: Stacks" by Bon Iver.

Orlando explained that he interprets this quote as a reminder that "every day has the ability to make you or break you. It just depends on what you do with it." Other interpretations are here.

For the record, I did email Orlando to ask for an opportunity to get clearer pictures, but I did not hear back from him.

~~~

I met Farkas in Union Square back in October. He had this wolf on his right arm:


He explained that his name means "wolf" in Hungarian, and that one of his friends in Hungary did this tattoo for him.

~~~

A couple days after meeting Farkas, I met an Israeli named Ran on 34th Street across from Macy*s. He shared this iguana on his right leg:



It's a pretty nice tattoo, but he hasn't sent me any further details about it.

~~~

A couple weeks later, I was in the West Village before a concert, and met Carlos, a manager at the Qdoba Mexican Grill where we were having a quick bite before the show. He shared this intricate tattoo on his right arm:



He and friend collaborated on this tattoo together. He told me that, when he was little, he did jigsaw puzzles with his mother a lot. The tattoo reminds him of those fun times growing up.

~~~

The following week, I ran into Iancu in Penn Station, and he shared this piece on his upper left arm:


Iancu told me he came to the artist, Rico, formerly of Rising Dragon in Manhattan, who was initially unwilling to do the tattoo. However, he convinced him to do it. It's basically a Guns N' Roses tribute although, he
noted, the guns were added about a year and a half after the original design was inked.

~~~

And finally, I must first say that  it is very rare that I ever criticize the quality of a tattoo.

Even if it is inferior to the work of much better artists, I always like to believe there are some redeeming qualities in a tattoo.

Which is why I struggled with this next tattoo, which I photographer back in August, and which I have included in this odds and ends post in December.

I approached a guy named Danny who had a lot of interestingly-tattooed words and such on his arms.

However, he offered to remove his shirt in Penn Station so I could photograph this:



Um, yeah.

If this was done by an experienced artist, I would likely not have posted it. Despite its obvious flaws, it is compelling, in my opinion, because Danny told me, like all his tattoos (15 or 16, he told me), this one was
self-inked. Now, I can see tattooing one's arm or leg, but I cannot even fathom how challenging it would be to self-tattoo your chest. He estimated this took one and a half hours to do.

The message is "Diamonds Aren't Forever," or, in  Danny's words, "don't take what you have for granted".

~~~

So there you have it, a Spring Cleaning for Christmas.

I do sincerely thank the individuals who shared their tattoos in this entry. Happy Holidays, y'all!

Friday, October 8, 2010

Jackie's Bouncing Lyrics

At the beginning of the week, I posted Jackie's beautiful tattoo and didn't include some work on her wrists that I also photographed:


These lyrics, "What are dreams for anyway/without the guts to live your life that way," are from the song "Highway Kings" by The Bouncing Souls, from their 2003 album Anchors Aweigh.



Thanks to Jackie for sharing her tattoos with us here on Tattoosday!

Sunday, October 3, 2010

Sandra's Cherry Blossoms

I met Sandra at the local laundromat at the end of August and she shared this lovely tattoo on her upper right arm:


There are two elements to this design, the cherry blossoms and the quote. The cherry blossoms were inked after her father was initially diagnosed with cancer. The quote was added when Sandra decided to move to New York from Oregon.

Reading "When your heart is in your dream, no request is too extreme...", this quote is from the film Pinocchio, in the song "When You Wish Upon a Star".

The tattoo was done by Dragon at Star Tattoo, in Portland, Oregon.

Thanks to Sandra for sharing her lovely tattoo with us here on Tattoosday!


Here's a little bonus:

Sunday, May 2, 2010

The Tattooed Poets Project: Eboni Hogan

On this final day of the Tattooed Poets Project 2010, we have a double treat - the tattoos and poetry of both Jeanann Verlee (here) and her friend Eboni Hogan.

What follows is a tat-alogue of Eboni's body art.

She prefaces her work with the following proclamation:

"A Note About The Artist: A majority of the work (the shoulder piece, the peacock and the cherry blossoms) on my body were done by an amazingly talented artist named Craig Spencer out of Whatever Tattoo II on St. Mark's Place who was also my boyfriend of almost four years until fairly recently. Yay! It's a sado-masochistic love story! Some liken this to getting a man's name tattooed across my boobs but I can say he is truly one of the only artists I trust with my flesh."

And now the ink:


"This shoulder piece is a custom design that took the most amount of tweaking before I actually got it inked. There are three quill pens, a skeleton key and a key hole, all tied together with ribbons. I'd had a strange dream one night in which a creepy old woman handed me a set of keys, tied to three feathers and told me that if I could find the door, the key would let me out...


...In my dream, I draped the key over my shoulder for safe keeping (dream logic...) but when I finally reached the promised door, the key and the feathers were adhered to my skin. The image stuck when I woke up and I talked to the artist about designing a similar piece. He suggested that the feathers be quill pens to pay homage to my love of poetry."
Next we have an image linked inexorably to the history of tattoos in the West, with its background in naval history. It was inked by an unidentified artist at Capitol City Tattoo in Madison, Wisconsin:


"I adore old school tattoos of the Sailor Jerry variety. I am also really active in the poetry slam community and every team I have ever been coined "the anchor"- the poet put up towards the end of a slam to (fingers crossed) make a home run. At the 2008 National Poetry Slam in Wisconsin, I decided it would be suitable to get this piece on my ribs."

Next up we have some cherry blossoms on the back of Eboni's right biceps:

"Blossom on the tree you know how I feel. Text by unknown artist, Addiction Ink, St. Mark's Place, cherry blossoms by Craig Spencer. If my life were a television series, Nina Simone's song "Feeling Good" would be the theme song. On my worst days, this is the never-fail anthem. The particular phrase that I decided on just happens to be the line in the song that feels infinitely more magical when sung at the tops of one's lungs. Try it."




And last, but not least, this lovely peacock:


"Peacocks are symbols of renewal and are revered by multiple cultures across the world. Furthermore, let's face it- they got a whole lotta swag. I found a vintage painting of a peacock that I loved though it's not the traditional green and blue image people are used to seeing. I got it on my left hip so that it could also serve as a cover-up for a pretty awful tattoo I got when I was 17 and foolish."

Thanks to Eboni for sending along so many tattoos for us here at Tattoosday. Be sure to head over to BillyBlog to read one of her poems, dedicated to poet Jeanann Verlee, here. Jeannann's tattoo (here) precedes this post, and her poem is dedicated to Eboni.

24 year-old poet, actress and Bronx native, Eboni Hogan, has performed in over 30 U.S. cities and facilitated workshops from refugee camps to prestigious universities. She studied theater at New York University's Tisch School of the Arts. She is the winner of the 2010 Women of the World Slam Poetry Slam, the 2008 Urbana Grand Slam Champion and a two time representative of the Nuyorican Slam Team. She is published in the anthologies His Rib and Double Lives and recently released her first collection of poetry entitled Grits through Penmanship Books.

Friday, May 16, 2008

Burn My Body: Carson Honors a Difficult Decision

Needless to say, I was amazed.

Our paths intersected at 23rd and 7th around Noon. He had neck work and a sleeve, and an incredible lighthouse tattooed on the back of his left leg (for
his fiancée, he later explained), but I didn't think I'd catch him. He was walking faster than me, and had earbuds in. I generally don't like to a) interrupt people listening to music and, b) chase them.

But I happened to be walking the same direction and, when I noticed he had stopped to look into the windows of Dan's Chelsea Guitars, condition "b" was no longer a factor.


I approached him, distracted him from his ear buds, and introduced myself. I forgave myself the interruption because his work was so well done.

As I always do, when speaking with folks with multiple tattoos, I asked him which meant the most, which piece I could feature here on Tattoosday. He acknowledged that he had a chest piece which was "in progress". Did he mind showing me on the street? As the photo above indicates, not at all.


Excuse my manners. I didn't introduce our host properly. The guy on the sidewalk displaying has tattoos just downstairs from the Hotel Chelsea was Carson James.

Carson is a Brooklynite that plays bass in a band called Tombs (click to hear some of their stuff on their MySpace page).

And when he pulled his shirt off, I was expecting a great chest piece, but nothing like what scrolled across his body.

Carson confirmed, the words were the complete lyrics to a song, "Burn My Body" by William Eliot Whitmore.


"What," I asked, "is the significance of this song that made you want to preserve it forever on you like this?"

He told me how, about two years ago, his younger brother, Trevor Lorne James, was killed in a motorcycle accident in New Jersey. His parents were understanably distraught over such a devastating event, and the decision fell to Carson - his brother's body was cremated.

Here are the lyrics to "Burn My Body":
Burn My Body

Burn my body in the northern field
and let the wind blow the ashes around
Then you will know that my wounds have been healed
'cause Lord I'll be homeward bound

Let the flames warm your hands
let the glow light your way
These gifts to you I bestow
No one's listening don't bother to pray
if you do I'll never know
Up and up the smoke will roll
like a cloud of frightened crows
carry my not so immortal soul
up between the rows

Some words that are said can cut like a saw
and my ears nearly bled at the sound
I can't help prepare for the springtime thaw
'cause Lord I'll be homeward bound
When frost turns to flowers and they all start to bloom
and there's nothing left to hold
tip one back and sing me a tune
and never let the fire grow cold
You can see a video of Whitmore performing the song here.

We talked about cremation and I asked if he had ever heard the poem "Cremation" by Robinson Jeffers (read it here). I promised to e-mail it to him later.

This piece, and most of Carson's work was inked by Thomas Hooper, an incredible tattooer who worked out of Frith Street Tattoo and Piercing in London, and now works out of New York Adorned's Brooklyn shop. You can see more of Hooper's amazing work on his web site here. The quality of Hooper's tattooing is truly awesome.


Carson also gave me some more background on his other work (which I did not photograph). His right arm is sleeved with a depiction of Samuel Taylor Coleridge's "The Rime of the Ancient Mariner" and, as mentioned earlier, the lighthouse is for his
fiancée.

It should also be noted that this is another first for Tattoosday, as Carson is the host here whose face is visible in a tattoo shot. Understandable (and appreciated) due to the size of the featured work.

Thanks so much to Carson for sharing his ink with us here at Tattoosday!

Wednesday, April 23, 2008

A Double Shot: Steve and Krista Show Off Some Awesome Ink

Last Friday, my head was spinning. It seemed that there were tattoos everywhere. They were as prevalent as the blossoms on the trees. I passed out a few fliers, but hadn’t received any commitments from people to chat. The good weather means that we here at Tattoosday can be more selective in our choices, hopefully bringing you more intricate and complicated tattoos.

Just outside of Penn Station, I saw a man and a woman chatting in the sun. The guy had a bright red tattoo on his forearm. I couldn’t tell if the woman had ink, as her back was to me when I approached.

In introduced myself to Steve, who has six tattoos in all. He offered up the arm piece first, as it was the most meaningful of all his work:




















Steve plays bass for a band out of Long Island called The Devilles. Check them out here. He described them as "punk rock n roll". Their MySpace profile categorizes them as "punk/blues/soul". Here's Steve at a gig:


To break the tattoo down a little, the quote in the banner is “When I got the music/I got a place to go,” which are lyrics from the song "Radio" by Rancid, from their 1994 album, Let’s Go. A little research proved that “Radio” was originally released on the Radio Radio Radio EP a year earlier, with Green Day’s Billie Joe Armstrong as a second guitarist in a brief stint with the band. Armstrong is even shares writing credit on the track. The album version, post-Bille Joe, has a significantly different arrangement.

Here's a little video of Rancid performing "Radio":




The guitar in Steve’s tattoo is modeled after his own instrument, a Gretsch.

He explained that the tattoo exemplifies the role of music in Steve's life. He finds it very therapeutic and acknowledges that, without music, "I would not be the same person I am today, or even be here at all." It's the biggest, most important thing in his life.

This was designed and inked by Greg Fly at The Tattoo Shop in Medford, Long Island.

Steve also offered up this stomach piece:

This is a direct quote from the Clash song of the same name from the London Calling album. Pepe at The Tattoo Shop did this piece and it represents Steve's belief that he'll be able to make an impression on this world before he dies.

In the course of talking to Steve, the young lady with him was an active participant in the discussion. Her name is Krista and she works as an apprentice at The Tattoo Shop where Steve's work was done. She said she had about six or seven tattoos in all. After talking with Steve, I asked her if she would like to show off her ink for Tattoosday as well.

She tried to downplay her body art, saying that, compared to Steve, her stories weren’t that interesting. I begged to differ but, to be perfectly honest, she could have been right. I only saw one of her tattoos, but it is truly spectacular:

Krista was born in upstate New York but she grew up in North Carolina. She remembers always being fascinated by the "Western motif" and when she drew up the rudimentary sketch of this tattoo, this was in the forefront of the vision. She took the basic premise to a tattooist named Zam at Visionary (a custom shop). She told him "this is [basically] what I want. Go nuts with it." Like I said, the end result is breath-taking. I believe this is Tattoosday's first chest piece.

Krista wanted me to plug her shop's show on April 26th at Club Bianco in Hauppauge. Check out The Tattoo Shop's page here to get all the details.

Thanks again to Krista and Steve for sharing their awesome tattoos!

Friday, September 28, 2007

Rad Tattoos from Nebraska

There are no defined rules for asking folks to volunteer for Tattoosday, but I have alluded to some personal guidelines, like the reluctance to interrupt people who are talking, or my tendency to select individuals who are stationary and generally alone. I have also said I will not follow people. Too creepy, generally speaking.

However, when something spectacular presents itself, all bets are off.

Friday morning, around 11:30 am, I was facing North on the southwest corner of 34th Street and 6th Avenue, on the outskirts of Herald Square, when I saw a heavily-tattooed woman across the street, walking with a guy, heading West. When the light changed, I had already decided to go take a closer look.

About half-way down the block, in front of Macy's, I caught up and without hesitation, tapped her on the shoulder and interupted her discussion with her companion. What inspired me to such boldness? Why this, dear readers:


Although not a completely finished back piece, it was breathtaking, especially if one admires quality ink. Click on the photo to enlarge. She also had tattoos running on both arms as well, neither of which I photographed.

I did my basic introduction and she was immediately receptive. Her name was Jill and she hailed from Nebraska.

After agreeing to participate, I asked her to offer me a piece that she felt most sentimental about. She had a hard time answering. I elaborated, "What one do you have the best memories about?" She selected the one I would least likely have chosen, but I was thankful that she was letting me add her to Tattoosday.

At the top of her right foot, at the bottom of the leg, she had the word "Rad" tattooed.

Jill explained that she and five friends had gone out together and each had a word inscribed on them permanently. The memory of the event clearly had an impact on her. When I asked "Why RAD?" She shrugged, "It's just a word I liked. One of my other friends had gnarly tattooed on her neck."

The tattoo was done in Omaha, Nebraska at Liquid Courage Tattoo and Piercing by the artist Jason Brown.

She said technically she only had 6 tattoos in all. She counted her 2 sleeves as one apiece. And I'm guessing she counted the back as one whole as well, despite the many components.

Well, I didn't want to take up too much of her time, standing in the sidewalk. In fact, while chatting with her, a couple stopped and the woman complimented her on her tattoos. With art like this, I'd imagine she gets that a ton!

I asked if I could take a shot of her back, she agreed. I thanked her and ambled off. I did notice when I uploaded the photo to the home computer later that the back piece still needs a little coloring which might be why she didn't offer it up right away as the tattoo I should photograph.

Of course, I want to dwell on the back a little longer. The script states "Traveler to the Grave".
I will take a stab at interpretation and attribute it as a reference to the lyrics of "How Can Anybody Possibly Know How I Feel?", a song from Morrissey's 2004 album You Are the Quarry:

But even I, As sick as I am, I would never be you
Even I, As sick as I am, I would never be you
Even I, Sick and depraved, A traveler to the grave
I would never be you, I would never be you

I also love the image on the neck, which is traditionally known as a calavera, attributed to the Dia de los Muertos, or the Day of the Dead in Latin American cultures.


The heart on the left side of the back is, I am surmising, a tribute to her grandfather. The strap of Jill's top covers up the first date partially, but I am leaning toward 1927-2004 as the span at the bottom of the heart.

Thanks to Jill for so kindly sharing her art with me! If you're reading this, Jill, and feel like sending me any shots of your sleeves, feel free to e-mail me. I hope you had a wonderful trip to New York City. Thanks for brightening my day!

Tuesday, September 25, 2007

Maggie and the Senses

This post, originally called "Twenty-two Tattoos" has been revised. I ran into a woman from Boston named Lindsay in front of Madison Square Garden on Monday, September 24, and she let me photograph three of her 22 tattoos. Alas, it was a bright, sunny day and the shots were awash with light and did not do the body art justice. I appealed to Lindsay here and she answered my call, sending me much better shots, and an extra one to boot. So, thanks again, to Lindsay. So I didn't take these specific photos, but I gave it a try. The end result is the same, I hope: an interesting post about some great tattoos.

The first piece that Lindsay proudly showed me was this one, called "Maggie":

What struck me about this was its color. You see a lot of skulls in tattoo art, but they're seldom this shade, a pink that illuminates off of the skin. This was inked by Spiro at Superchango Tattoo Studio, just north of Houston in The Woodlands, Texas. Spiro is not listed on the shop's site currently, but his home page on Inked Nation here still shows an affiliation.

One of the things I ask people with multiple artwork when I meet them on the street, since I can't very well photograph everything on them, is what piece means the most to them. In Lindsay's case, it was a chest piece that was still a work in progress, so she offered up "Maggie," as she called her. Lindsay explained that Maggie was an original piece created by Spiro based on a painting he had done for a tattoo convention. Maggie is unusual because most of Lindsay's work she designed herself.

Maggie is an anti-drug tattoo, Lindsay explained. It's not visible in the tattoo but, off to the left, there is some additional work that she had Spiro add, like pills, a syringe, and other drug-related designs. Maggie represents what a life of drugs could produce. Lindsay wears Maggie as an anchor, a reminder of what could result from unhealthy choices.

Maggie sits on Lindsay's right shoulder. Her left arm, I noticed had this extremely interesting piece:

When I asked about it, Lindsay explained that she is creating a series of tattoos dedicated to her five senses, which she feels extremely connected to. Each sense is artistically represented with a different type of wings. This blue and yellow hand, on the outer left forearm, was barely visible in my attempt to photograph it, and represents the sense of Touch. This one is credited to Dave Boseman at Superchango.

She has the additional sense of sight on her inner left forearm:


Lindsay explained that "Sight" was done at a tattoo convention in Rhode Island.

When Lindsay so kindly responded to my request for some do-over photos, she sent me this one as well:

And I took the chance to add another one of mine...that I didn't think to show you. It is the chorus to my all time favorite song. Also done by Spiro at Superchango.

Made to Heal by Our Lady Peace


The chorus is:

I'm a thief, a liar
An angel in the fire
I'm a king, a drug
The push that comes to shove
I'm a freak, a star
I'm everything you are
I'm your jesus, I'm your pride
The song "Made to Heal" appears on Our Lady Peace's album Spiritual Machines.

The photo file name is entitled "Ribs," so I will assume that is why I didn't see this tattoo. I'll see if Lindsay can clarify that for me.

Thanks to Lindsay for her cooperation on this post and her willingness to share.